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He inaugurated his own label with the release of Born to Mack ; its success in the San Francisco area caught the attention of Jive Records. Although his 1990s album sold well, he was increasingly relegated to the background by more sensationalized gangsta artists such as DR DRE and SNOOP DOGGY DOGG. Faced with more materialistic, pop-friendly rap competitors in mid-decade, Too $hort opted for retirement in 1996. After several years of inactivity, he decided to return, releasing Can’t Stay Away , which featured collaborations with PUFF DADDY, JERMAINE DUPRI, and JAY-Z. Subsequent albums, however, have failed to go gold, prompting industry observers to posit that he had lost the hard edge much in evidence in the graphic depictions of violence and raw sexuality typifying his early career.

” , “Shorty’s Got to Go” , “D’Natural Blues” / “Little Girl Don’t Cry” , “I’ll Never Be Free” , and “I’m Waiting Just For You” —generally featured guest vocalists. In addition to making records and performing live, Millinder’s group did film work, most notably for Paradise in Harlem. When declining interest in big bands led to the demise of his unit, Millinder worked as a deejay in New York City and did public relations for a distillery.

In 1949, he relocated to Los Angeles to study classical composition at U.C.L.A. He tried his hand at writing a series of stage revues, called Blackwell Portraits, that failed to catch on with the public. By the early 1950s, Blackwell had found a new line of work, arranging and producing gospel and R&B records for Guitar Slim, Lloyd Price, and others. He soon took charge of the A&R department at Specialty Records, where he bought LITTLE RICHARD’s contract from Peacock and spurred the singer to record a cleaned-up version of “Tutti Frutti” in a New Orleans studio in 1955. He helped write some of Little Richard’s follow-up hits such as “Reddy Teddy,” “Rip It Up,” and “Long Tall Sally,” as well as handling production and becoming his personal manager. He also played a role in launching the pop music careers of former gospel stars SAM COOKE and Wynona Carr. He left Specialty in the late 1950s to help establish Keen Records; while there he worked closely with Cooke and Johnny “Guitar” Watson.

The group, known later as the Teenagers, whose members included tenors Herman Santiago and Jimmy Merchant, baritone Joe Negroni, and bass Sherman Gaines, recorded a half-dozen doo-wop-styled Top Ten R&B hits in an 18 month span beginning in February 1956. These included the chart-topper “Why Do Fools Fall in Love” , “I Want You to Be My Girl,” “I Promise to Remember”/“Who Can Explain? ”, “The ABC’s of Love,” and “Out in the Cold Again.” The group also appeared in two successful Hollywood films—Rock, Rock, Rock and Mister Rock ’n’ Roll— while still a bankable commodity. When the Teenagers lost their commercial momentum, Lymon tried to make it as a solo act.

Some rock historians state that it was recorded by accident, although Bonds would go to claim that he knowingly turned on the recorder. One critic, Dave Marsh, posits that Guida added five overdubs of party sound effects in his quest for just the right ambience. A follow-up album, Dance ’til Quarter to Three , did surprisingly well for a so-called teen release, reaching number six and remaining on the charts for 28 weeks. The album would yield a couple of hit singles, “This Little Girl” and the reworked Cajun classic, “Jole Blon.” Another Springsteen-Van Zandt production, On the Line , including the single, “Out of Work,” also achieved commercial success. Bonds then moved on to an independent label, Phoenix, producing his own LP, Standing in the Line of Fire. However, by then he had once again fallen out of favor with the public in the face of the new romantics and techno-pop acts then benefiting from heavy MTV rotation.

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They soon came to the attention of Richard Barrett, then on the A&R staff at Gone Records, who signed them to one of the label’s subsidiaries, End. Most of the group’s early hits—“He’s Gone,” “Maybe,” “Every Night ,” and “I Love You So”—were composed by Smith and featured her expressive leads. “Maybe” spent 18 weeks on the pop charts, and is generally believed to have sold well over one million copies. Following this initial wave of popularity, their record sales experienced a significant drop-off.

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While there he hooked up with the Delfonics, producing their sweet soul masterpieces, “La La Means I Love You” and “Didn’t I Blow Your Mind This Time.” In the early 1970s, Bell was reunited with Gamble, who had formed the Philadelphia International label with Leon Huff. The symphonic scale of his productions, which were intensely soulful without lapsing into shallow displays of sentimentality, attracted major artists from outside the Philly soul circle, including the SPINNERS, the BEE GEES, and Johnny Mathis. Ace, Johnny (1929–1954) singer, keyboardist and composer Born John Marshall Alexander, Jr., on June 9, 1929, the Memphis native joined the B. B. KING band, and then formed the Beale Streeters with King, BOBBY BLAND, and Earl Forest, Roscoe Gordon, and Willie Nix in 1949.

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Born in 1941, the Philadelphia native began a lifelong association with Kenny Gamble in 1959, first in a vocal duo, and then in the latter’s DOO-WOP group, the Romeos. At age 19, he began arranging and conducting CHUBBY MenNation CHECKER’s song repertoire, sometimes contributing original material as well. When Checker’s production company failed, Bell caught on with the performer’s record company, CameoParkway, as a session pianist.

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By this time, however, Weston had set her sights on a New York stage career, and Gaye hooked up with another up-and-coming singer, Tammi Terrell. Together they had 10 chart singles before Terrell’s tragic death from a brain tumor in early 1970. Weston continued to record for a succession of labels in the 1960s and 1970s, including MGM, People, and Pride, though she rarely made the charts. Later in her career, she organized a youth theater workshop in Detroit. Donna Summer earned considerable renown as the Queen of DISCO during the later 1970s; however, few were aware of her ability to interpret a wide range of material, including pop, rock, blues, soul, and gospel.

He enjoyed intermittent hits, most notably “Rainin’ in My Heart”; the laid-back swamp-rock classic, “Baby Scratch My Back” (number one on the R&B charts in 1966); “Tip On In, Part 1”; and “Te-Ni-Nee-NiNu.” His recordings have continued to be reissued on album compilations up to the present day. The son of R&B session player Willie Hall, who played behind R&B greats like ISAAC HAYES, he was born Patrick Hall, in Memphis. Something of a studio wunderkind, he played all instruments, and handled the composition and production work on his recordings. The debut album, #1 Suspect , and two accompanying singles, “I Am the Gangsta” and “Gangsta’s Need Love 2,” broke out in the Atlanta-Memphis area.

” was used for the title of the third album by Norwegian stoner rock band Thulsa Doom. The song and video were parodied in a commercial for the 2008 season of the USA Network show Psych. The single was McCartney’s longest spell at number one in the USA as a solo artist, and the second-longest behind ‘Hey Jude’ including his Beatles work.

Critics attributed this to the fact that her delivery, despite being well executed, lacked conviction and authority. Whatever Tairrie B’s potential may have been, a second chance at proving her mettle in the studio was not forthcoming. She has concentrated on songwriting along with husband Bruce Sudano, particularly the country market. He eventually shifted his emphasis to crooning ballads, one of which— “Because I Love You ”— resulted in his first crossover hit.

Taking the name of this single, they consolidated their success with such releases as “Jail House Rap,” “The Fat Boys Are Back,” “Sex Machine,” “Falling in Love,” “Wipeout” , and “The Twist” —all assisted by promotional video clips that were frequently shown on various network and cable television channels. By now idolized by young blacks and suburban white kids alike, the Fat Boys were seen in films such as Krush Groove (1985, which featured them along with RUN-D.M.C., SHEILA E., and KURTIS BLOW as the Krush Groove All Stars) and Disorderlies , as well as countless fan magazines. Any hopes of a return to favor were dashed by Robinson’s death from heart failure on December 10, 1995. Curve , and 4 Hero, a London duo achieving a fusion of jazz-rock, German synthrock, and processed breakbeats in albums such as Parallel Universe and Two Pages . GOLDIE helped pioneer a related form, “ambient jungle,” utilizing symphonic flourishes that manipulated the listener’s perception of time through a series of stretched and compressed musical samples. His breakthrough LP, Timeless , almost single-handedly stimulated heavy print and broadcast media coverage of the drum and bass phenomenon as well as countless imitators.